“Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s”
AT THE ENTRANCE TO the Walker Art Center’s “Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s,” viewers are met by Hungarian artist László Fehér’s Underground Passage I., 1975, a black-and-white, hyperrealist painting of passengers ascending the subway stairs as a solitary figure descends…
